Pierce Pioneer

Combating disease with art

Artist Charles Burt has Parkinson’s disease, his artwork serves as both therapy and fuel for his passion

Charles+Burt+next+to+his+work+%E2%80%9CMedusa%2C%E2%80%9D+displayed+at+the+gallery.

Kelly Gabrinetti/Contributing Photo

Charles Burt next to his work “Medusa,” displayed at the gallery.

One year ago, Charles Burt was diagnosed with Parkinson’s disease.  Though he knows that the disease will never leave him, he chooses to fight it with creativity.

A student at Pierce, Burt has taken art classes such as Acrylics, Watercolor, and Drawing 101 with professors David Roholt and Danella Sydow.  This year, two of his paintings were selected to be featured in Pierce’s yearly art show.

“East State Penitentiary,” an acrylic painting based off of a photograph Burt took in Pennsylvania, had patrons thinking it was an actual photo at first glance.  But perhaps the more striking work was “Medusa,” a watercolor painting depicting the anguish of the mythological character of the same name, cursed forever to turn anyone who looked at her to stone.

Despite this, Burt said that he disliked working with watercolor, and said he was surprised by “Medusa’s” inclusion.  He said that “Medusa” was like a “child you keep in the basement,” as its intensely negative expression was disturbing to him, and he had to turn it away from his bed every night so that he wouldn’t look at it.  

To Burt, art is a lifelong interest.  “My whole life I’ve loved art, I’ve always loved drawing, and I’ve always enjoyed doing sort of ultra realist stuff.”  Burt said that he enjoys the perfectionist aspect of art.  

He finds putting in the amount of time and effort it takes to make his work “just right” gratifying, and takes satisfaction in the feeling of seeing other people having to take out their glasses to discern whether one of his paintings is a photograph.

“That’s very cool to me, I always enjoy when people say that they think it looks like a photograph.”

Burt said that though his twenty years in the military may not have made him a perfectionist, it brought out that thinking and made him realize it, and learn to use that perfectionism in his work.

But his painting serves another purpose other than sheer enjoyment: working through his Parkinson’s.  

“Whenever I get excited or anxious, my hand starts to tremble.  But the focus of painting and drawing, it basically goes away.  So it’s kind of a break for me to be able to draw and paint.  There’s an added gratification, I think, to see that I’m still able to do art with Parkinson’s.”

Burt’s Parkinson’s, which so far only appears in his right arm, is what is known as a “resting tremor.”  A resting tremor manifests as shakes when the body is at rest, meaning that the tremors go away when it is moving.  

The slow and precise movements of painting and calligraphy are what calms Burt’s tremors, and he enters a sort of “zen state” where he no longer notices his Parkinson’s until he stops moving his hand again.  

Parkinson’s also affects the dopamine producing centers of the brain, which can also lead to conditions outside of the physical, such as depression.  For Burt, the gratification he gets from his art gives him the dopamine release he needs.  Essentially, painting is therapy for Burt.

“What I’ve learned to do is a lot of small 6x8 canvases.  There’s a lot of gratification because it’s very quick, very easy, and I can do a lot of them.  So it gives me that burst of dopamine that I don’t normally get.  It’s therapeutic in many ways.”

Although medication can help with the symptoms of Parkinson’s, it is not a disease that can truly be “cured” with modern medicine, and over time the body can build up an immunity to the medication, such as in the case of famous actor Michael J. Fox.

The unfortunate truth is that over time, the Parkinson’s will get worse for Burt.  It will begin to not just further afflict his right arm, but also other parts of his body, such as his legs which would cause complications with walking.

“I get a bit touchy when people say things like ‘I hope you beat it.’”  Burt said.  “It’s not like cancer.”

Burt said that the thought of the Parkinson’s affecting him to the point that he can no longer paint is “a big fear.”  Already, it can be exhausting to live with.  He described his active Parkinson’s as like “holding a ball or a cup all day long.”  

However, Burt uses these feelings of fear and concern to further fuel his passion.  “It pushes me to paint more,” he said.

“A lot of times when I’m doing my painting, I fear that it will be my last one.  But that’s the other thing about this disease: you have to keep in the moment.  If I start worrying about it, that’s when my hand starts tremoring and causing other issues.  So I have to keep myself in the present, and painting does that.”

Burt, as a military retiree, is able to support himself enough to spend most of his time painting.  However, he being able to sell his paintings isn’t his main goal, rather, he wants to share them with others by seeing them in galleries.  

Before, his artwork has been featured in Tacoma Community College’s art gallery and he was “thrilled” to have more of his work featured in Pierce’s.

“I just want to paint.”  Burt said.  “It would be neat to have stuff that sells, but what I love is people being able to give feedback on what I do.”

Burt plans to continue his painting, and expressed interest in doing a series of paintings after “Medusa” based on more mythological figures.

Student artists awarded and featured in Pierce art show

The winners of Fort Steilacoom’s annual art contest saw their work hung in Pierce’s gallery

Student+artists+awarded+and+featured+in+Pierce+art+show

“It’s one of our stronger art shows,” said David Roholt, art professor and the coordinator of Pierce College’s Fort Steilacoom campus art gallery.

Every year Pierce hosts an art show and contest to which students can submit their pierces, and possibly win the prize of their art being bought and featured in the Olympic building’s art gallery.  This is the 42nd year that the art show has been held.

This year’s winners included students from multiple classes and ages, and even one who had never taken an art class before the contest.  

Daniel Webster was surprised to win a place in the gallery, having never taken an art class before, nor creating much artwork in his spare time.  Webster had worked with “linocut,” a printmaking technique where the artist essentially makes a large stamp by carving a design into a linoleum block.  

“It probably took about twelve to fifteen hours to carve.”  Webster said.  “Most of it was because the tools were so sharp, and the material’s not very smooth to work with.  So you want to go very slowly so you don’t hurt yourself or make a mistake.”

One of Webster’s featured pieces, “Main Street USA,” was inspired by a childhood memory of visiting Disneyland and its famous entrance of the same name.

The first place winner, Shanley McFarland, was also floored at her being selected, especially the grand prize.  Her piece, “Fish Face,” was originally created as an assignment for her art class.  “I’m very humbled.  I just wanted to get my assignment in on time,” laughed McFarland.  “I can’t stop smiling.”

Her piece, as it was assigned, was a study in cubism.  One of the most revolutionary artistic movements of the 20th century, cubism analyzes objects by breaking them and reassembling them into an abstract form and depicted from multiple viewpoints at once rather than one.  McFarland described it as “a set of different images of motion all combined into one image.”

Her painting, which was created with watercolor paints, was inspired by watching the movement of her pet fish in their tank at home.  According to her, the painting took roughly sixteen hours over two weeks.

John Smith, a pierce alumni who has worked for the gallery in the past, was the judge for this year’s art show.

After going through all the submissions and deciding which pieces are going to be in the show, Smith had to further narrow the selection to the grand prize.  Smith said that he judged the artwork not just by the more objective technical ability and execution, but also “creative vision.”  

“My favorite piece, which I won’t name, is not actually the grand prize winner, because I felt that what they wanted to accomplish just wasn’t quite there.”  Smith said.  The powerful creative vision is an important aspect to Smith, but he tries to look at “every angle.”

“In the end, I don’t totally know if the juror is supposed to be picking their favorite things or the things they felt were done the best.  I tried to shoot for something in between.”

Smith said that he doesn’t totally know a specific way to judge an artist’s creative vision.  He said that he wasn’t sure if it was instinct, emotion, or something else.  “I go with what feels right, I guess.  I always feel that art should make me feel something.  You can have a really pretty picture, and you can really enjoy looking at it.  But I like art that makes me have an opinion, or makes me feel a certain way.”

Smith said that the best living artists, whether they are hated or loved, still evoke feeling.  “And that’s really important to me, I think.”  Smith said that “Fish Face” made him feel “jubilant” or “joyful.”  

“It puts me in a good mood.  That’s one where if you had a chance to look at it everyday, it would always leave you feel better than before you looked at it.”

Smith said that despite feeling satisfied with his choice, judging the contest may not be a job he wants to do again.

“It’s tough.  I mean, I’m not famous or anything.  Judging your peers is really difficult, at least for me.”

Hoover Hits the Screen

J. Edgar is a candid depiction of the life of one of our nations most infamous Patriots.  J. Edgar Hoover, who for those not Historically savvy, and not to be mistaken with president Hoover, Fathered the Federal Bureau of Investigation (FBI), as we know it today. As a public figure head for law enforcement for over five decades Hoover has worked with eight presidential administrations and was responsible for the major crackdowns that spearheaded the government crime fighting units of the 1920-30s. Being responsible for the arrests of some of the nation’s most notorious gangsters were only part of the highlights of his career, along with fighting terrorists on a domestic front and gathering political corruption intel. But true to form, producer/director Clint Eastwood’s integrity to historical events did not overbear on the personal and emotional battles the characters struggle with. Though, the talented Mr. DiCaprio, who has in the past, played similar emotionally distraught rolls, out shines himself in this film. The raw talent that was exhibited in this film is unmatched. Each individual actor has completely embodied his or her character with the poise and prestige Mr. Eastwood demands with every film. With powerfully dramatic scenes in this film an Oscar nomination is surly in its future. DiCapiro (J. Edgar) brings his A-game in this depicting tale, and newcomer Amie Hammer
(Clyde Tolson) submerges himself into his role as Hoover’s right-hand-man. The film chronologies Hoovers career with the FBI as well as provides an intricate depiction of his life outside of the bureau. With an original score provided by Clint Eastwood himself, it was hard not to feel what this was being portrayed by this start-studded cast. Judy Dench (Annie Hoover) as J.Edgars mother depicts a picture of a strong and loving, and yet slightly authoritarian relationship. Naomi Watts (Helen Gandy) plays Hoover’s dutiful personal secretary. The film also includes rising thespian Dennis O’Hare (Albert Osborne), seasoned veteran Lea Thompson (Lela Rogers) and a cameo by Clint Eastwoods son Kyle Eastwood. The film is lengthy, but every moment is utilized to keep the audience captivated and enthralled in this biography. All in all the cinematography and detail in this film is captivating. To Eastwood and DiCaprio, one can say that with age these two actors make a superb team in this Oscar worthy film.

“Almost, Maine” Steps on the Stage

Audiences applauded the new Pierce College production “Almost, Maine” featured at the Black Box Theatre on campus at 7pm on Nov. 11 12, 18, and 19.

In the town of Almost is an array of interesting characters all living their lives while unexpectedly finding love in this comedic play.

Playwright John Cariani interlaced the emotions entitled in the quest for love seamlessly, and added surprises that undoubtedly sent the audience’s emotions every which way. From the man who found out his love was to be married the next day to the power of a misspelled tattoo; spectators continued to be pleasantly surprised as the night carried on.

This was no light task. A total of 8 actors portrayed around 19 roles in this 9-play love chronicle. Portraying different characters in a matter of half an hour most definitely seems like a difficult task to ask of student performers, but most actors embraced the new role with such vigor and credible personas making it quiet enjoyable to watch.

The key to the ‘mini plays’ was in the actor’s ability to find compassion within the story’s sadness and comedy. Unfortunately, some scenes came across as excessively far-fetch as well as motorized, but these few moments did not overshadow the character’s likeable nature.

Actors Anton Arganoza, Addison Kelly, Chelsea Baker, Lawrence Yoshikawa, Lakesha Egardo, Hayley Nichols, Kaylie Rainer, and James Duetto Han enveloped their characters in slightly foolish behavior that drew laughter from audience members but still did not overpower Cariani’s keen ear for how everyday people talk.

“Almost Maine” captivates the hearts of viewers despite the few negligible errors. This comedic love story is well worth the $2 admission for students and provides a safe haven for onlooker’s emotions to roam free with the community of Almost.

Leave a Comment